SECTION 19	DESCRIPTION
	WILLIAM  MELLOR British 1851-1931 EASDALE  TARN, WESTMORELAND Watercolour, Signed. (Bottom  left) museum matted, glazed, wood frame, bears label of 1951 Bradford Artists Exhibition on back.   Size: 11 1/2  x 17 3/4 ” (29.2 x 45.1 cm)  Frame 18 7/8 x 24 1/2” Ref. 691 R&PH  /DLNN/d.anag > ALNN    PRICE CODE G The hill mist turns the soft hues of the Westmoreland hills to subtle blues, luminous patches of sunlight break through to illuminate the lower slopes of the tarn with Sourmilk Gill waterfall, and the meticulously delicate rendering of the foliage heightened by the rich English sunlight that bathes the scene and the flock of sheep in the foreground.
	Briton  RIVIERE  British 1840 -1920 Beside the still waters.  Watercolours on paper, Monogrammed BR (bottom right) .Titled bottom left. 10 x 7 7/8" (25.4 x 20 cm.,) matted, glazed, Black wood frame.  16 1/2 x 13 1/2" Ref. 694  RI. 649 /ALN/e.anal > LNN    PRICE CODE C  A calming pastoral riverscape with mature beech trees overhanging the still river water, a treed landscape forms the background.
	JOHN  SHAPLAND British  1865 - 1929 The Walkham Stream near Princetown, Dartmoor Watercolours. Signed (Bottom  Left), Glazed, Giltwood & gesso frame. giltwood liner. 14 1/2 x 22"  (36.8 x 55.8 cm.)  Frame: 23 x 30" Ref. 326  JP4 /GNN/r.anng > DLLN  PRICE CODE E

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SECTION 17	DESCRIPTION
	Anonymous  British School. late 19th. cent. Fairy Hill, Swansea. Watercolours on paper, Titled (bottom right) Matted ,glazed 7x10" (17.8 x 25.4 cm.)  carved wood frame.11 1/4 x 15 1/4" Ref.695 RI 650 /AAL/e.anal > ELN     PRICE CODE B
	Anonymous  British School. late 19th. cent. Bridge on the Greta. Watercolours on paper, Titled (bottom right) Matted ,glazed 7x10" (17.8 x 25.4 cm.)  carved wood frame.11 1/4 x 15 1/4" Ref. 697 RI 652 /AAL/e.anal > ELN     PRICE CODE B   Famously known for God Bridge, a natural bridge formed from rock the ancient stone arch bridge graces the Greta River as it flows  through a heavily wooded area.
	Anonymous  British School. late 19th. cent. Coombs Hall, Chequers. Watercolours on paper, Titled (bottom right) Matted ,glazed 7x10" (17.8 x 25.4 cm.)  carved wood frame.11 1/4 x 15 1/4" Ref.696  RI 651 /AAL/e.anal > ELN     PRICE CODE B  An unpainted figure strolls along a path cut deep between two banks of thickly wooded landscape of Coombe Hill, Chequers, a rustic fence completes this unsigned  but  competent summer landscape watercolour which  is set into an ornate heavy gilt-wood and gesso frame.
	Anonoymous British School. late 19th. cent. Formal gardens of a country house. Watercolours on paper, Titled (bottom right) Matted ,glazed 7x10" (17.8 x 25.4 cm.)  carved wood frame.11 1/4 x 15 1/4" Ref. 698 RI 653 /AAL/e.anal > ELN     PRICE CODE B Depicted are the formal treed gardens of a country house with colourful laid out flower beds.

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SECTION 10	DESCRIPTION
	John SHAPLAND British 1865-1929 Near Menaggo, [sic.] Lake Como  Signed (Bottom Right) 10 ¾ x 15 ¾" (27.3 x 40 cm.)  glazed. Frame 16 x 20” Ref. 630 GH31(140)/ RNN/dd.ando>GNN    PRICE CODE C The picturesque village of Menaggio located on the western shore of Lake Como, at the mouth of the river Senagra, has changed little since this watercolour was painted. Typical of Shapland's loose continental style, Blossoms adorn the foreground terrace. Set into its period ornamental gilt-wood and gesso frame.
	William Henry HARFORD British, 1840 – 1917   Thatched Cottage with figures and church in the background.   Watercolours on paper, signed (bottom left). Double mattered, glazed, attractive acid wash finished frame. 17¼ x 10 ½” (18.4 by 27.7 cm.)  Frame. 14 ½ x18” Ref.681 RH 2 (215)/DNN/e.anae>AOL PRICE CODE B A charming rural scene with a woman gathering fagots for firewood outside her whitewashed thatched cottage. Her daughter stands in the doorway. The tower of a country church may be seen in the background.   Harford was a Londoner who exhibited landscapes and coastal scenes. Between 1874 and 1878 he worked in Northumberland, the Channel Islands and the Bristol area.
	Thomas ‘Tom’ DUDLEY                         British                                             1857-1935        In Borrowdale, Cumberland.1882               Signed & Dated (Bottom Middle) Triple matted, glazed, gilt-wood frame. 16 x 11½ " Frame 26 ½ x 20 ¾" Ref. 555 GH4[0](140)/ANN/ dd.ands > EOL      Price Code C   A one-horse cart plies a rough track, (the only through road) around a rock outcrop at the tree-clad entrance to Borrowdale, near Derwentwater, in the Lake District of Cumberland, England. High to the right is seen towering Jack’s Crag (1860), later known as Great Crag. Borrowdale Beck runs to the right of the track. The location is as beautiful (and almost as tranquil amid the bird song) as it was in 1882 when Dudley painted this scene.

SECTION 2	DESCRIPTION	PRICE CODE
	RICHARD SHARLAND British. 19th. century Fishing and Boating Pleasures. Watercolour. Ca. 1820 French Lines & wash panel. Antique Glass, Silver giltwood frame. 5 x 81/4" (12.7 x 20.6 cm.) Frame 14 3/4 X 17 3/4" Ref. LRA 2/ GL+ DNV gon >LOL	C Click Here for Pricing Details
	Arthur TUCKER      RBA.     British      1864-1929           Eastgate, Chester. Signed (Bottom Left) Titled gilt matt, glazed, period gilt-wood & gesso frame. 7 x 10 ¾" (17.8 x 27.5 cm.) Frame 14 ½ x 18 ½” Ref. 565 GH51 (140)/ALN/ dd.ands >LNN  This is a fine architectural perspective view of East gate Chester with good detail, amid the light and shadow of the buildings of the street, which is peopled with those going about their daily business. The 1897 Queen Victoria Diamond Jubilee Clock by Edward Evans Lloyd is much in evidence then as today. For those interested in period architecture this is a good buy.	C Click Here for Pricing Details
	E. DAVIS Welsh Second half of 19th. Century. In the vale of Festiniog Watercolours on paper. Signed E. Davis. (bottom right) re-mounted in original gesso & gilt-wood frame. 13 ½ x 20 ½" (34.3 x 52. 1 cm.)     Frame  22 ½ x 39 ½" Ref AW4 /ENN/ g.anad > SOL	D Click Here for Pricing Details

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SECTION 3	DESCRIPTION	PRICE CODE
	attributed to LUCAS THOMPSON English School third quarter of 19th century [Dartmoor Tor] Watercolours. 9 1/4 x 131/4" (23.2 x 33.7 cm.) Ref PP1/ALN/dn.anna LNN	C Click Here for Pricing Details
	FRANK TURNER British  fl. 1866 -1874 Village of  Warfield, Berks. Watercolours, Signed (Bottom Left) matted & glazed,  period giltwood  frame. 9 3/8 x 13 3/4"( 23.8 x 34 .9cm.) Frame 17 x 21 1/4"  (Ref. 303 MH1/ANN/g.annl > ELN)	B Click Here for Pricing Details
	Monogram ‘J H’ First quarter of 20th Cent. Duel on a high road between a German and a French Hussar Watercolours on paper. Signed with monogram 'J H' (bottom left)  Harry Coughey double matt with French lines, glazed, gilt-wood frame. Image: 10 x 14"approx.        Frame 18 3/4 x 23" 412 Ref. DR1 /ROL / a.andr >EOL	C Click Here for Pricing Details
	ANONYMOUS British  2nd. half of nineteenth century [Perspective view of Durham and its Cathedral] Watercolours, matted & glazed,  period giltwood & plaster frame. 8 1/2 x 13 3/8"( 21.5 x 34 cm.) Frame 17 x 21 3/4" (Ref. 302 RI.402/ASN/g.annl >ROL)	B Click Here for Pricing Details

SECTION 14	DESCRIPTION
	James STARK British 1794 -1859 View near Norwich Signed (Bottom Left) French lines and wash panel matt, glazed, gilt-wood and gesso frame. 6 ½ x 9 ¾" Frame 13 x 15 ½" Ref. 545 GH18 (140)/DVL/ dd.andv > ENN  PRICE CODE B As one of the 'Norwich School' of painters, Stark won £50 for one of his local views as far back as 1815 (a lot of money in those days). This fine view was possibly painted as one of his Scenery of the Rivers of Norfolk ca. 1827 -34 and depicts cattle watering by a river with a distant view of the city of Norwich with its cathedral spire in the back ground.
	T. FRANK YORKE British Exh 1930-1940 Wheat stooks in a field Signed (bottom Right) Watercolours on paper. 13 1/4 x 20 1/4" matted glazed gun metal frame 19 1/2 x 25 3/4" Ref. 677 RI 631 /ANN/e.anae> EAL PRICE CODE B Depicted are harvested wheat stooks in a field with a treed landscape and hill in the back ground. T. Frank Yorke was a british artist/illustrator who exhibited at the Walker Art Gallery Liverpool during the 1930's
	T FRANK YORKE British Exh 1930-1940 Horse and laden cart of hay bales Signed (bottom Right) Watercolours on paper. 10 3/4 x 14 7/8" matted glazed period gilt-wood frame 19 3/4 x 23 3/4" Ref. 678 RI 632 /ANN/e.anae> ELN PRICE CODE B Depicted are a horse and cart laden with hay bales with an unhitched horse and light cart in the foreground. T. Frank Yorke was a british artist/illustrator who exhibited at the Walker Art Gallery Liverpool during the 1930's

SECTION 13	DESCRIPTION
	Robert Rutherford PALMER   RWS.  British ca. 1886 - ca. 1963 Oak Trees in Summer Signed (Bottom Right). Watercolours on paper. gilt liner, glazed, gilt-wood and gesso frame. 9 ¾  x 6 7/8  " (24.7 x 17.5 cm.) Frame 16 x 13" Ref. 571 CFP 4 (164) /VL /d.ands>DRL& SOLD nbsp;   PRICE CODE A
	Monogram H.S. ? British 19th Cent. View of Duntrune castle Lock [sic] Loch Crena, Argyleshire [sic] 1866 Image:11 1/2 x 16 1/2 ( 29.2 x 41.9 cm.)  double mated glazed gilt-wood frame 19 1/2 x 24 1/2" Ref. 648 SF4 (187) /ANN /r.anan>EVN    PRICE CODE C SOLD This 1866 watercolour by the unidentifiable artist H.S. would appear to be based on the aquatint Duntrune Castle,  Loch Crenan  (Crinan) Argyllshire, Scotland, that was published in William Daniel A Voyage round Great Britain  1814-25.
	Monogram H.S. ? British 19th Cent. A Study - Winter scene in England 1865 11 7/8 x 17 3/4 (30.2 x 45.1 cm.)   double mated glazed gilt-wood frame 19 1/2 x 24 1/2" 649 SF5 (187) /ann/r.anan>EVN  PRICE CODE C SOLD This 1865 watercolour study by the unidentifiable artist H.S. depicts a rural cottage amid a snow covered treed landscape, with sheep in the background, ducks pause by a frozen pond and four figures and their dog collect firewood branches from a felled tree.

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SECTION 17	DESCRIPTION
	Henry Hillingford HILLIER       1858 – 1930 Loch Lomond Signed (Bottom Right) gilt liner, glazed, period decorative gilt-wood and gesso frame. 14 ½ x 21 ½" Frame 22 ½ x 29 ½" Ref. 627. GH23 (140)/DVL/ dd. ando>DNLN   PRICE CODE D    SOLD This is one of the better examples of Hillier’s landscapes, displaying much impressionist influence especially in the treatment of the mist rolling off the hills. This painting is enlivened not just by the depiction of watering cattle, but by the inclusion of the softly lit young woman and her dog as they walk along the lough side path.
	Henry John KINNAIRD British, 1861 -1929 The Thames near Wallingford Watercolours on Paper Signed (bottom left ) and titled (bottom right) glazed, period gilt-wood and plaster frame. 13 ¾ x 20" ( 39.9 x 50.8 cm.) Frame 24 ¾  x 32 ¼ Ref. 636 GH121(140)/DLN/ dd.ando>OLN  PRICE CODE D   SOLD Typical of the pleasing pastoral landscape that made Kinnaird's reputation, with cattle watering at the river's edge of the Thames, near Wallingford. A man is about to pole his punt across to meet the cattleman at the rail fence bridge.  Amid the treed background are seen thatched cottages and the village church.
	Charles Jones WAY R.C.A.      British/Canadian 1834-1919 In the Beech Woods. Signed (Bottom) gilt fillett & Acid Free matt, glazed, gilt-wood & gesso frame. 14 ½ x 10 3/8" (17.8 x 27.5 cm.) Frame 22 ½ x 18 ½”Ref. 566 GH52 (140)/ALN/ dd.ands >GLN   PRICE CODE C    SOLD Almost overawed by a giant beech tree, below which a woman collects faggots near a forest bothy. A most interesting composition, with good foliage detail, from the hand of a master. He was an influential member of the new movement on Canadian painting

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SECTION 4	DESCRIPTION	PRICE CODE
	F. E. HAMMOND British   Exh. 1912 - 1914 [Sheep on a Fell footpath] Watercolours.  Signed & dated 1912 (Bottom Right) matted gilt line, glazed, giltwood frame. 143/4 x 203/4"  (17.5 x 52.7 cm.)     Frame 231/2 x 283/4" Ref.  260  RI.386/GLN/dd.anna  >DRNN	SOLD E Click Here for Pricing Details
	THOMAS 'Tom' HENRY HUNN British 1857 -1928 St. Catharines Ferry Signed & Dated 1910 (Bottom Left). Watercolour. Double matted, original glass, Period giltwood & gesso frame. 10 1/2 x 15 1/4" (26.6 x 38.7 cm.)   Frame 18 1/4 x 27 3/4" (Ref. 334  RI. 410/SNN/l.ng >DOVL)	SOLD F Click Here for Pricing Details
		SOLD B Click Here for Pricing Details
	William Frederick LIDDELL British ƒl 1900-Ca. 1927 St James’s London 1926 Watercolours on paper.  Signed & dated 1926 (on verso), glazed gilt-wood frame. 11 ¾ x 16 ¾” (29.8 x 42.5 cm.)    Frame 18 ¾ x 23" Ref. 637 GH122 (140)/DNN/ dd.ando>DVLN  Looking North East along St James’s Street with its then statue of King Edward VII ?. A wonderfully evocative London Street scene depicting a much admired area of London, as it was at the beginning of the age of automobile and before the statues were moved. A most beautifully detailed watercolour with pedestrians supporting the fashions of the era.	SOLD E Click Here for Pricing Details

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SECTION 5	DESCRIPTION	PRICE CODE
	WILLIAM  H. VERNON ARBSA. British  1820 - 1909 [Pastoral Scene with figures on a rustic bridge] Watercolours.  Signed (Bottom Right) matted gilt line, glazed, period giltwood & plaster frame. 20 x 28"  (51 x 71 cm.)     Frame 30 x 30" Ref. 320  AG.67a/AVSA/dd.annl  >ESNN Enlargement	SOLD I Click Here for Pricing Details
	WILLIAM  H. VERNON ARBSA. British  1820 - 1909 [Pastoral Scene with Inn and figures by a rustic bridge] Watercolours.  Signed (Bottom Right) matted gilt line, glazed, period giltwood & plaster frame. 20 x 28"  (51 x 71 cm.)     Frame 30 x 30" Ref. 320a  AG.67b/AVSA/dd.annl  >ESNN Enlargement	SOLD I Click Here for Pricing Details

SECTION 6	DESCRIPTION	PRICE CODE
	William  ARTINGSTALL                            British                                             ƒl. 1873-1905 Middletondale, Derbyshire.1903         Signed & Dated 1903 (Bottom Left) French lines & wash matt, glazed, gilt-wood frame. 12 x 17"(35 x 43.2cm.) Frame 26 ½ x 20 ¾"Ref. 556 GH36(140)/DAL/ dd.ands > EOL The subtle science of Fly-fishing is being taught by an elderly man to his grandson. The former leans on a dry-stone wall, on an idyllic day during the summer of 1903. As the lad fishes the brook below a stone low humped backed bridge, a woman, carrying a basket, wanders along the well-worn pathway in Derbyshire's, Middleton Dale, England.	SOLD C Click Here for Pricing Details
	Attributed to S. PRONK 19th. Cent. British School ‘Sunshine’ The Abbey Gate House Watercolours on paper, size 8 1/4 x 9 3/4” Frame 14 1/2 x 16 1/2” matted , glazed gilt-wood frame. Ref. 655 SF3 (187)/DNN/ a.anan> ASL	SOLD B Click Here for Pricing Details
	Monogram ‘J H’ First quarter of 20th Cent. A Messenger of Woe Watercolours on paper. Signed with monogram 'J H' (bottom left)  Harry Coughey double matt with French lines, glazed, gilt-wood frame. Image: 10 x 14"approx.        Frame 18 3/4 x 23" 413 Ref. DR2 /ROL / a.andr >EOL	SOLD C Click Here for Pricing Details

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SECTION 7	DESCRIPTION	PRICE CODE
	Ernest Llewellyn HAMPSHIRE British 1882 – 1944 Castle Rushen, Isle of Man. Watercolours on paper. Signed ‘E L Hampshire’ (Bottom Right)  glazed, period gilt-wood & gesso frame. 9 3/8 x 11 7/8"    (23.8 x 30.2 cm.) Frame: 13 ¾ x 16 ¼" Ref. 425 NM2/ANN/o.andr > LNN         Enlargement	SOLD C Click Here for Pricing guide
	Robert Rutherford PALMER British ca. 1886-ca.1963 An Industrial Artery Birmingham, England Signed R.R. Palmer & dated 1949 (bottom left) Watercolours on paper, glazed, natural wood frame.  15 x 19 1/4  (38 x 49 cm.)          Frame 21 1/4 x 251/2" Ref. 377 DC4 (136)/ Lnn/ dd.andg>VOL	SOLD D Click Here for Pricing guide
'The Inspiration for Bram Stoker's Dracula'	William COLLINGWOOD-SMITH  R.W.S. British 1815 – 1887 Ruins of Whitby Abbey Watercolours with whitening on paper.  Signed & titled  'Collingwood-Smith Whitby' (bottom Left) 19 ¼  x 13" Double matted, glazed, gilt-wood Frame:24  ¾ x 18 ¼ " 444 Ref. 129 JR2 /RNN/ v.andl >GAL Enlargement	SOLD C Click Here for Pricing guide

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SECTION 8	DESCRIPTION	PRICE CODE
	Attributed to Colonel William MARKHAM British 1796 -1852 Eastbourne Sepia wash over graphite on wove paper  5 3/4 x 4 1/4" (14.6 x 10.8 cm.)   double matted glazed, box wood frame  10 3/4 x 8 3/4" 446 Ref. (132) PT1/LN/dd.andl >DDN	SOLD A Click Here for Pricing guide
	George Harlow WHITE British Canadian 1817 – 1887  Ruined English Abbey by moonlight Watercolours on paper.  Signed G. Harlow White c.a. (Bottom Left) and dated 1880. Double matted, glazed gilt-wood frame. 8 1/2 x 5 1/4"  (21.6 x13.3 cm.)    Frame:14 3/4 x 11" 468   Ref. 143. SS1/DNN/l.andg> ALN	SOLD B Click Here for Pricing guide
	George Harlow WHITE British Canadian 1817 – 1887 The Church Pool Watercolours on paper.  Signed G. Harlow White (Bottom Right) and dated 1871.  Glazed, period gilt-wood frame.  5 1/2 x 8 3/4" (14 x 22.2 cm.)    Frame: 9 3/4 x 13"  469   Ref. 143. SS2/LN/l.andg> ANN	SOLD B Click Here for Pricing guide

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SECTION 9	DESCRIPTION	PRICE CODE
	George Harlow WHITE British Canadian 1817 – 1887 The Sale, Yorkshire Watercolours on paper.  Signed G. Harlow White (Bottom Right) and dated 1877.  Glazed, period gilt-wood frame.  5 1/2 x 8 3/4" (14 x 22.2 cm.)    Frame: 9 3/4 x 13"  470   Ref. 143. SS3/LN/l.andg> ANN	SOLD B Click Here for Pricing guide
	Robert YUILL British 1839-1934 The Village Road Watercolour. Signed (bottom left) Glazed, period Gilt-wood and jesso frame. 9 x 12 ½” (25.9 x 31.7 cm.) Frame 13 x 16” The timelessness of this Kentish Village scene almost confirms the belief held by some at that time that 'God is indeed an Englishman'. Ref. 64 JS4 [PP](150) /EOL/ a.andv >VAL	SOLD C Click Here for Pricing guide
	Thomas Tayler IRELAND British fl.1894-1921 Burnham Beeches Watercolour, signed (Bottom Right) Ca.1910. Period giltwood and plaster frame 13 ½ x 20 ½" (34.3 x52.1 cm.) Frame 20 ¾ x 27 ½" Ref. 81 JS5 (150)[PP] /SNN/ a.andv >DGNN	SOLD F Click Here for Pricing guide

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SECTION 11	DESCRIPTION
	Thomas Tayler IRELAND British fl.1894-1921 Stream amid the Burnham Beeches Watercolour, signed (Bottom Right) Ca.1910. gilt liner,glazed,Period giltwood and plaster frame. 26 ½ x 20" Frame 34 x 27" Ref. 544 GH8 (140)/ENN/ dd.andv > DANN  PRICE CODE E   SOLD T. T.Ireland's name has become synonymous with the 600 acre Burnham Woods in Buckinghamshire, he painted its famous beeches in all seasons, here he has captured the ethereal light of autumn.
	Charles Eyers SIMMONS British 1872 – 1955 Turf cart crossing a bridge Signed (Bottom Right) gilt liner, glazed, period heavy gilt-wood and gesso frame. 10 ½ x 14 ½" Frame 14 ½ x 18 ½" Ref. 543 GH17 (140)/DVL/ dd.andv > RLN  PRICE CODE B    SOLD In this scene, the foliage surrounding the bridge and stream is used to good effect as is the limb-less trunk of an adjacent tree.
	Lt. Col. Evelyn L. ENGLEHEART British ƒl. 1906-1921 Cairo street scene with man on Camel and woman with ass. Watercolours on paper. Signed (bottom Right) Matted, glazed gilt-wood frame 14 x 20 3/4" (35.6 x 52.7 cm.) Frame 21 1/4 x 28"  Ref. 514 JR3(129)/RLN/ l.andv> VOL PRICE CODE D    SOLD

SECTION 12	DESCRIPTION
	Emily Mary Bibbens WARREN F.R.S.B.A.  British /Canadian 1869-1956 Nelson's Column, London Signed (Bottom Right) gilt liner, glazed, period mahogany-wood frame. 9 ¾ x 7"(24.5 x17.8 cm.) Frame 15 x 12 ¼" Ref. 550 GH20 (140)/DVL/ dd.andv > LLN  Price Code C    SOLD Emily Warren's expertise as a fine atmospheric landscape artist comes to the fore in this fine watercolour as does her expertise in capturing the architectural details of one of London's most iconic memorials. Seen here in the evening light is Baily's statue of Nelson atop his granite column by William Railton (1840) and surrounded by Sir Edwin Landseer's lions. The view is across the 1829 square at evening rush hour,
	Malcolm  CROUSE                            British                                                19th- 20th Cent Loch Maree, Scotland. Signed  (Bottom Left) French lines & wash matt, glazed, green & gilt-wood frame. 8 x 14 3/8"(20.3 x 36.5cm.) Frame 26 ½ x 20 ¾" Ref. 558 GH38 (140)/VN/ dd.ands >ALN PRICE CODE B  SOLD Depicted is Loch Maree in the Wester Ross N.W. Scottish Highlands. A croft hugs the glacial slope of the benign heather, furz, and mixed pine hardwood clad lakeside, now the Nature Conservancy's national reserve of Beinn Eighe. On the opposite side of the loch, the slope rises to the 3, 217 ft. wedge shaped grey blue Slioch mountain. In ancient times, the waters of the loch were thought to have curative effects, with being submerged in the water thought to be a cure for lunacy.

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SECTION 15	DESCRIPTION
	Squire G. HOWARD British 1859-1929 Off the Scottish Coast. Signed & Dated 1908 (Bottom Right) French lines and wash panel matted, glazed, gilt-wood frame.   6 5/8 x 14" (16.8 x 35.6 cm.) Frame 13 ¼ x 21 ¼ ” Ref. 560 GH45 (140)/SL/ dd.ands >ANN  PRICE CODE B   SOLD Three diminutive Highland cattle graze at the water’s edge of the Scottish coast, inshore sailboats are seen plying the coastal bays.
	Charles Sim MOTTRAM   R.B.A.   British   1807-1919 Cornish Coastal Landscape. Signed (Bottom Right) Gilt Liner with plaque, glazed, period deep veneer & gilt-wood frame. 8 x 11 ¼ " (20.3 x 28.6 cm.) Frame 12 ¾ x 16” Ref. 563 GH48 (140)/DVL/ dd.ands > GLN  PRICE CODE C    SOLD One can almost taste the tang of sea-salt, and smell the ozone off the sea, as birds wheel in flocks off the precipitous Cornish coast. In the foreground, fishermen toil to launch rowing boats through the rolling surf as a young lad looks on. This is a quite splendid atmospheric watercolour, almost impressionistic in its execution.
	Attributed to William CALLOW                         OWS. RWS.                          British                       1812-1908 Magasin de Vins Reyzac Unsigned, watercolours and whitening on paper. French lines and wash double matt, glazed Gilt-wood frame. 9 1/8 x 10 ½" (23.2 x 26.7 cm.) Frame 18 x 20 ¼" Ref.557 GH37(140)/DNN/ dd.ands >LLN  PRICE CODE C  SOLD This unsigned work was attributed to William Callow by Sotheby Parke Bernet, Toronto in April 1980. The influence of T.S. Boys technique may be seen in this painting of the Magasin de vins Reyzac, a local Paris wine shop, still located at 3 Avenue Gambetta îsle- de- France.

SECTION 16	DESCRIPTION
	Charles Eyers SIMMONS British 1872 – 1955 European Town Scene Signed (Bottom Right) gilt liner, glazed, period heavy gilt-wood frame. 14 ½ x 10 3/4" Frame 18 ½ x 14 ½" Ref. 623 GH16 (140)/DLN/ r..ando >AOL  SOLD This is a charming, probably French, town scene probably painted in the late 1890's-1900 which would be in keeping as to the time he was courting his French born wife.  Alas, there are three blemish spots which diminishes the value of this work.
	Robert Rutherford PALMER   RWS.  British ca. 1886 - ca. 1963 The hub of Empire Signed (Bottom left). Watercolours on paper. matted, glazed, Black-wood frame. 9 5/8  x 6 5/8  " (24.5 x 16.8 cm.) Frame 14 1/2 x 10 1/2 " Ref. 572 CFP 4 (164) /GL /d.ands>DRL    PRICE CODE A    SOLD
	L. RAMOS British 20th. Century Pheasant Shooting Watercolours on paper, signed below mount. Glazed gilt-wood frame. 11 3/8 x 15 5/8" (28.9 x 39.7 cm) Frame: 16 1/2 x 21 1/2" Ref. 650 RI 610/DVL/ o.anan >RVL SOLD

SECTION 1	DESCRIPTION	PRICE CODE
	JANE LOMAX British 1872 - 1927 At the close of a North African Market Watercolours on paper, Signed (Bottom Left) double matt, Fillet, glazed, black & giltwood frame. 20 x 28 1/2" (51 x 72.4 cm.) Frame 30 1/2 x 38 1/4" Ref. AG /DVGN/a.annr > RRNN	SOLD H Click Here for Pricing Details
AN EXAMPLE OF MOUTH PAINTING	'BARTRAM' HILES British fl. 1885-1895 Landscape with cottage Watercolours on Artists Board. Signed (Bottom Right), Ca. 1910. Giltwood liner & frame. 7 1/2 x 11" (19 Xx28 cm.) Frame 11 3/4 x 15 1/2" Ref.HC1/ANN/vnd > ELN	SOLD B Click Here for Pricing Details
	ERNEST SANDERS British fl. 1908 - 1936 Pair of Buckinghamshire landscapes Signed and dated (A.) 1912 (Bottom left), (B.) 1910 (Bottom right) Glazed, carved period giltwood frames. A. 91/4 x 133/4 " (23.5 x 35 cm.) Frame 181/2 x 23" B. 83/4 x 123/4" (22.3 x 32.4 cm.) Frame 18 x 22" Ref.216 RI 340 /LNNpr./g.annr >DNNN pr	SOLD D Click Here for Pricing Details

SECTION 18	DESCRIPTION
	Edward Wiliam TRICK British 1902-1991 Newton St. Cyres, Devon. Signed (Bottom left) 11 ¼ x 15 3/8" (28.6 x 39.1 cm.)  Glazed, gilt liner Frame 16 ½ x 20 ½" Ref. 632 GH33 (140)/ DAL/dd.ando>GNN     PRICE CODE C SOLD In this image, a mother and small child stop their housework to watch a shepherd drive his sheep along a village street.  The village is located between Crediton and Exeter.
	Sylvester John Henry STANNARD RBA.  FRSA British 1870-1951 Children picking berries in a rural landscape Signed (Bottom Left) 14 x 10 ¼” (35.5 x 27.3 cm.) glazed, Frame  20 x 16"  Ref. 631 GH32(140)/RLN/ dd.ando>DRLN   PRICE CODE E  SOLD A very fine small vertical watercolour by this noted British artist depicts a delightful scene of three children in a rural landscape, as an older sister assists her siblings in the time honoured summer tradition of picking berries. In the background a thatched cottage commands a fine view o'er the vale.
	Walter Henry SWEET 1889 – 1943 Bath Abbey, Somerset Signed (Bottom Right) gilt liner, glazed, period heavy gilt-wood and gesso frame. 19 ½ x 15 ½" Frame 26 ½ x 20 ½" Ref. 626. GH15 (140)/DOL/ dd. ando>GOL   PRICE CODE C   SOLD The Abbey has been skillfully and sensitively rendered and lit in this fine example of Sweet’s work. The structure is one of the largest examples of Perpendicular Gothic Architecture in the West Country. Bath Abbey has more Tablets and memorials plaques than any other church in England (615 +) excluding Westminster Abbey. The west front is notable for its sculptures of angels climbing to heaven on two stone ladders, representing Jacob’s Ladder.

SECTION 16	DESCRIPTION
	Robert Rutherford PALMER   RWS.  British ca. 1886 - ca. 1963 The Road to Keith, Parkmore, Scotland. 1944 Signed & Dated (Bottom Right) 1944 Titled (Bottom Left) Watercolours on paper. French lines and wash panel, titled double matt, glazed, gilt-wood and gesso frame. 10 3/8 x 14 ¼" (26.3 x 36.2 cm.) Frame 19 ¾ x 23" Ref. 569 CFP 2 (164) /RNN/d.ands>VNN    PRICE CODE C    SOLD The painting was exhibited in the Royal Academy, London Spring exhibition of 1946 (Exhibition label still affixed to verso). The location near today’s Parkmore Farm, then nearby the old Parkmore distillery, which was established in 1894. Later sold to the Highland Distillery Co. which was closed in 1988 and subsequently became part of Wm. Grant & Sons.
	Edward William  TRICK   British 1902-1991 Dartmoor Landscape with Tor. Signed (Bottom Right) Gilt Liner with plaque, glazed, period deep gilt-wood frame. 7 1/8 x 9 ¼ " (18.1 x 23.5 cm.) Frame 11 ½ x 13 ¾” Ref. 564 GH50 (140)/DNN/ dd.ands >ANN    Price Code B   SOLD The location is almost certainly Dartmoor, along the banks of the Walkham stream, near one of the many Tors (natural rock formations) that distinguish this favourite artist's location, that he and Shapland painted together.