Theatre
Antique Prints

Since 1763 the name 'Russborough' has been synonymous with collecting and dealing in fine art. In the closing decades of the last century the historic town of Port Hope has become home to Lord Russborough's Annex, which specialises in an individual mix of antique maps, paintings and prints.

While Lord Russborough's Annex features a great many works of museum calibre, we also offer a wonderful selection of prints priced at under $100.

An extract of our prints currently available:

New Theatre Royal Drury Lane 1825 Playbill
Theatre Royal Covent Garden 1825 Playbill
Boydell Shakespeare Prints
Jubilee Pageant for Emperor Franz Joseph I

 

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Wm tell 1825 Playbill

The NEW THEATRE ROYAL, DRURY LANE
Friday May 20 1825

 WILLIAM TELL
performed by His Majesty's Servants
 Music by H.R. Bishop.

Some minor loss not effecting text 13 3/8 x 8 3/8"

 Ref: LRA3063/DNN/ dd.andd >ENN  SOLD                PRICE CODE B

 A Rare THEATRE HANDBILL 1825 with the rôle of William Tell played by the eminent tragedian Macready, and Miss Clara Fisher (1811-1892) the most eminent child actress of the age, took on the rôle of Albert for this production at age fourteen; Mrs. Bunn wife of the theatre lessee, (Alfred Bunn) played Emma, Tell's wife.

Also on the bill the two act musical drama ABON HASSAN which included a Grand Ballet in
Act I by Mr. & Mrs. Noble, other upcoming plays are listed including Faustus and Grand-Papa.

The really interesting item of note for collectors of early theatre is that the scenery for William Tell was painted by four of the greatest scenery painters of the Georgian era: David Roberts; his friend and great rival at the time, Clarkson Stanfield along with the aging Marinari; and a re-work of stage scenery of the then deceased Andrews by Adams.

Wm Tell playbill detail
This is a rare find for collectors of David Roberts items. 

Such play bills are rare as they were considered ephemeral, and this one is significant as it lists five examples of scenery by twenty-two year old Roberts & Stanfield who were considered to be among the top scenery painters of their day, both went on to become international fine artists of considerable repute, but here we find them earning a living at five guineas a week, at the beginning of their careers. But more so what their training taught them as scene-painters greatly influenced the drama of their later works.

 Click here for an example of period scenery


Theatre Royal exterior
Theatre Royal interior

Theatre Royal Drury Lane Exterior & Interior


Productions relying more on scenery and effects than on dialogue and acting remained commonplace in the new facility. The 1823 production of Cataract of the Ganges had a finale featuring a horseback escape up a flowing cataract "with fire raging all around."

 

 

Wm C. MacreadyWilliam Charles Macready,  (born March 3, 1793, London, Eng.—died April 27, 1873, Cheltenham, Gloucestershire), English actor, manager, and diarist, a leading figure in the development of acting and production techniques of the 19th century. In 1810 he made his debut in his father’s company, as Romeo, at Birmingham and rapidly acquired fame in other roles in provincial theatres. In 1816 he appeared at Covent Garden, London, and played a series of melodramatic villains. He performed with such earnestness and truth that he became firmly established, and by 1820 he was recognized as one of the finest contemporary English actors, second only to Edmund Kean. Macready achieved his greatest fame playing such Shakespearean roles as Hamlet, Iago, Lear, Othello, and Richard II.
Macready served as the manager of Covent Garden from 1837 to 1839 and as manager of Drury Lane from 1841 to 1843. [Britannica.com]
 

For more information on David Roberts vide: http://www.russborough.com/antique_prints/davidroberts.html#davidroberts

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