British watercolour landscapes
Antique Prints

Since 1763 the name 'Russborough' has been synonymous with collecting and dealing in fine art. In the closing decades of the last century the historic town of Port Hope has become home to Lord Russborough's Annex, which specialises in an individual mix of antique maps, paintings and prints.

While Lord Russborough's Annex features a great many works of museum calibre, we also offer a wonderful selection of prints priced at under $100.

An extract of our paintings by British watercolour artists currently available:
SECTION 1  2 2a  3 4 5 6 7 8 9 10 11 11a 12 13 1415 16 17  18 19  20
ARTIST INDEX
Fine Art
British Paintings in oil
Antique Maps
Omnium Gatherum
Specialty Services

SECTION 1

DESCRIPTION

PRICE CODE

JANE LOMAX

British 1872 - 1927

At the close of a North African Market

Watercolours on paper, Signed (Bottom Left) double matt, Fillet, glazed, black & giltwood frame. 20 x 28 1/2" (51 x 72.4 cm.) Frame 30 1/2 x 38 1/4"

Ref. AG /DVGN/a.annr > RRNN

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H
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AN EXAMPLE OF MOUTH PAINTING

Hiles_cottage_sm

'BARTRAM' HILES

British fl. 1885-1895

Landscape with cottage



Watercolours on Artists Board.

Signed (Bottom Right), Ca. 1910. Giltwood liner & frame. 7 1/2 x 11" (19 Xx28 cm.) Frame 11 3/4 x 15 1/2"

Ref.HC1/ANN/vnd > ELN

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B
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ERNEST SANDERS

British fl. 1908 - 1936

Pair of Buckinghamshire landscapes

Signed and dated (A.) 1912 (Bottom left), (B.) 1910 (Bottom right) Glazed, carved period giltwood frames.
A. 91/4 x 133/4 " (23.5 x 35 cm.) Frame 181/2 x 23" B. 83/4 x 123/4" (22.3 x 32.4 cm.) Frame 18 x 22"

Ref.216 RI 340 /LNNpr./g.annr >DNNN pr


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SECTION 2

DESCRIPTION

PRICE CODE

Shapland fishing

RICHARD SHARLAND

British. 19th. century

Fishing and Boating Pleasures.

Watercolour. Ca. 1820 French Lines & wash panel. Antique Glass, Silver giltwood frame. 5 x 81/4" (12.7 x 20.6 cm.) Frame 14 3/4 X 17 3/4"

Ref. LRA 2/ GL+ DNV gon >LOL

A SUPERB EXAMPLE OF MOUTH PAINTING

Bartram Hiles gouache

FREDERICK  JOHN 'BARTRAM' HILES

British  1872 - 1927

Landscape with cottages

Gouache on Artists Board. Signed (Bottom Left), Ca.1910.  Glazed, giltwood liner & frame.15 x 21 1/4"  (38 x 54 cm.)           

Ref. 328  JP6 /LNN/r.anng > DNNN

ANONYMOUS

British 2nd. half of 19th. century

[Gumfreston Church Tenby, Wales]

Watercolour, Titled & Dated (verso) 1864. Double Matt, Fillet, Giltwood frame. 4 3/4 x 6 3/4" (12 x 16.5 cm.) Frame 141/2 x 17"

Ref. LRA/AF 49/RNN/and >VLN

ANONYMOUS

English School Third quarter of 19th century

[The Old Gate House]

Watercolours. Double museum matted, glazed, giltwood frame. 3 3/8 x 91/4" (16.2 x 23.5 cm.) Frame 13 x 16"

Ref LRA.ptg 50/RLN+EV.OV=ENN/o.anna SNN

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SECTION 2 a

DESCRIPTION

PRICE CODE

Lucas Thompson Dartmoor Tor

attributed to LUCAS THOMPSON

English School third quarter of 19th century

[Dartmoor Tor]
Watercolours. 9 1/4 x 131/4" (23.2 x 33.7 cm.)

Ref PP1/ALN/dn.anna LNN

SECTION 3

DESCRIPTION

PRICE CODE

Thomas O.H. Upholland

C. H THOMAE

British 20th. century

Old houses at Upholland

Watercolour, signed (Bottom Left) period giltwood & plaster frame 14 1/2 x 20" (36.8 x 50.8cm.) Frame 171/4 x 22 3/4"

Ref. 235 RI.356 /ALN/ e.anne >GLN

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Shapland Walkham stream dartmoor

JOHN  SHAPLAND

British  1865 - 1929

The Walkham Stream
near Princetown, Dartmoor

Watercolours. Signed (Bottom  Left), Glazed, Giltwood & gesso frame. giltwood liner.
14 1/2 x 22"  (36.8 x 55.8 cm.)  Frame: 23 x 30"

Ref. 326  JP4 /GNN/r.anng > DLLN 

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PAINTED AS A LOVE TOKEN

Peter_J Train

 

J. PETER

British 19th. century

[Train passing through a rural landscape ]

Watercolours on paper. Signed and Dated (Bottom Left)
‘J. Peter 1861’  Inscribed (Bottom Right) ‘to E Ross’ matted & glazed,  period giltwood & plaster frame.
6 3/4 x 9 13/16” ( 17.2 x 24.9 cm.) Frame 12 1/4 x 15 1/4

(Ref. 323 LRA ptg63/ EAS/dd.annl > GOL)

Rowden cattle Lyme Bay

THOMAS  ROWDEN

British  1842 - 1926

[Cattle overlooking Lyme Bay]

Watercolours. Signed (Bottom Right) Original period Giltwood frame and liner, Original Glazing,
8 7/8 x 16 7/8 ”  (22.5 x 42.8cm.)  Frame: 14 1/8 x 22 ½

(Ref 324 JP2 /GNN/r.anng > DLLN)

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SECTION 4

DESCRIPTION

PRICE CODE

Hammond FE

F. E. HAMMOND

British   Exh. 1912 - 1914

[Sheep on a Fell footpath]

Watercolours.  Signed & dated 1912 (Bottom Right) matted gilt line, glazed, giltwood frame.
143/4 x 203/4"  (17.5 x 52.7 cm.)     Frame 231/2 x 283/4"

Ref.  260  RI.386/GLN/dd.anna  >DRNN

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E
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Hunn St Catharines  Ferry

THOMAS 'Tom' HENRY
HUNN

British 1857 -1928

St. Catharines Ferry

Signed & Dated 1910 (Bottom Left). Watercolour. Double matted, original glass, Period giltwood & gesso frame.
10 1/2 x 15 1/4" (26.6 x 38.7 cm.)   Frame 18 1/4 x 27 3/4"

(Ref. 334  RI. 410/SNN/l.ng >DOVL)

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F
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Durham cathedral & Town

 

 

ANONYMOUS

British  2nd. half of nineteenth century

[Perspective view of Durham and its Cathedral]

Watercolours, matted & glazed,  period giltwood & plaster frame.
8 1/2 x 13 3/8"( 21.5 x 34 cm.) Frame 17 x 21 3/4"

(Ref. 302 RI.402/ASN/g.annl > LVL)

Turner F. Warfield Village

FRANK TURNER

British  fl. 1866 -1874

Village of  Warfield, Berks.

Watercolours, Signed (Bottom Left) matted & glazed,  period giltwood  frame.
9 3/8 x 13 3/4"( 23.8 x 34 .9cm.) Frame 17 x 21 1/4"

 (Ref. 303 MH1/ANN/g.annl > ELN)

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SECTION 5

DESCRIPTION

PRICE CODE

vernon a landscape

WILLIAM  H. VERNON ARBSA.

British  1820 - 1909

[Pastoral Scene with figures on a rustic bridge]

Watercolours.  Signed (Bottom Right) matted gilt line, glazed, period giltwood & plaster frame.
20 x 28"  (51 x 71 cm.)     Frame 30 x 30"

Ref. 320  AG.67a/AVSA/dd.annl  >ESNN

Enlargement

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I
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vernon_b_landscape

WILLIAM  H. VERNON ARBSA.

British  1820 - 1909

[Pastoral Scene with Inn and figures by a rustic bridge]

Watercolours.  Signed (Bottom Right) matted gilt line, glazed, period giltwood & plaster frame.
20 x 28"  (51 x 71 cm.)     Frame 30 x 30"

Ref. 320a  AG.67b/AVSA/dd.annl  >ESNN

Enlargement

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I
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SECTION 6

DESCRIPTION

PRICE CODE

anon Gibett Cove

ANONYMOUS

English School
2nd. half of nineteenth century.

Gibbet cove
 
Watercolours. Double Matt, Fillet, Giltwood Frame
6  x 8 1/2”    ( 15.3  x 21.6 cm.)    15 3/4 x 17 1/2

Ref. 363 LRA/AG 65/REL.GN/dd.annv >SLN

Enlargement

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D
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Davis E Festiniog

E. DAVIS

Welsh
Second half of 19th. Century.

In the vale of Festiniog

Watercolours on paper. Signed E. Davis. (bottom right) re-mounted in original gesso & gilt-wood frame.
13 ½ x 20 ½" (34.3 x 52. 1 cm.)     Frame  22 ½ x 39 ½"

Ref AW4 /ENN/ g.anad > SOL  

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deulling hussars

 

Monogram ‘J H’
First quarter of 20th Cent.

Duel on a high road between a German and a French Hussar

Watercolours on paper. Signed with monogram 'J H' (bottom left)  Harry Coughey double matt with French lines, glazed, gilt-wood frame.
Image: 10 x 14"approx.        Frame 18 3/4 x 23"

412 Ref. DR1 /ROL / a.andr >EOL

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JH woeful mess_web
Monogram ‘J H’
First quarter of 20th Cent.

A Messenger of Woe

Watercolours on paper. Signed with monogram 'J H' (bottom left)  Harry Coughey double matt with French lines, glazed, gilt-wood frame.
Image: 10 x 14"approx.        Frame 18 3/4 x 23"

413 Ref. DR2 /ROL / a.andr >EOL
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SECTION 7

DESCRIPTION

PRICE CODE

Hampshire IOMcastle sm

Ernest Llewellyn
HAMPSHIRE
British
1882 – 1944

Castle Rushen, Isle of Man.

Watercolours on paper. Signed ‘E L Hampshire’ (Bottom Right)  glazed, period gilt-wood & gesso frame.
9 3/8 x 11 7/8"    (23.8 x 30.2 cm.) Frame: 13 ¾ x 16 ¼"

Ref. 425 NM2/ANN/o.andr > LNN        

Enlargement

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Palmer RR Gas Works B'ham

Robert Rutherford
PALMER
British
ca. 1886-ca.1963

An Industrial Artery Birmingham, England

Signed R.R. Palmer & dated 1949 (bottom left) Watercolours on paper, glazed, natural wood frame.
 15 x 19 1/4  (38 x 49 cm.)          Frame 21 1/4 x 251/2"

Ref. 377 DC4 (136)/ Lnn/ dd.andg>VOL

                 


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'The Inspiration for Bram Stoker's Dracula'

Collingwood-Smith Whitby

William COLLINGWOOD-SMITH
 R.W.S.
British 1815 – 1887

Ruins of Whitby Abbey

Watercolours with whitening on paper.  Signed & titled  'Collingwood-Smith Whitby' (bottom Left) 19 ¼  x 13" Double matted, glazed, gilt-wood Frame:24  ¾ x 18 ¼ "

444 Ref. 129 JR2 /RNN/ v.andl >GAL

Enlargement

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C
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SECTION 8

DESCRIPTION

PRICE CODE

markham Eastborne

 

Attributed to
Colonel William
MARKHAM

British 1796 -1852

Eastbourne

Sepia wash over graphite on wove paper  5 3/4 x 4 1/4" (14.6 x 10.8 cm.)   double matted glazed, box wood frame  10 3/4 x 8 3/4"

446 Ref. (132) PT1/LN/dd.andl >DDN        

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Harlowwhite fountins Abbey

George Harlow WHITE
British Canadian
1817 – 1887

 Ruined English Abbey by moonlight

Watercolours on paper.  Signed G. Harlow White c.a. (Bottom Left) and dated 1880. Double matted, glazed gilt-wood frame. 8 1/2 x 5 1/4"  (21.6 x13.3 cm.)    Frame:14 3/4 x 11"

468   Ref. 143. SS1/DNN/l.andg> ALN 

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Harlow white Betsycoyed Wales

George Harlow WHITE
British Canadian
1817 – 1887

The Church Pool

Watercolours on paper.  Signed G. Harlow White (Bottom Right) and dated 1871.  Glazed, period gilt-wood frame.

 5 1/2 x 8 3/4" (14 x 22.2 cm.)    Frame: 9 3/4 x 13"

 469   Ref. 143. SS2/LN/l.andg> ANN 

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SECTION 9

DESCRIPTION

PRICE CODE

Harlow white River Swale

George Harlow WHITE
British Canadian
1817 – 1887

The Sale, Yorkshire

Watercolours on paper.  Signed G. Harlow White (Bottom Right) and dated 1877.  Glazed, period gilt-wood frame.

 5 1/2 x 8 3/4" (14 x 22.2 cm.)    Frame: 9 3/4 x 13"

 470   Ref. 143. SS3/LN/l.andg> ANN 

 

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Yuill _the Village road

Robert YUILL
British
1839-1934

The Village Road

Watercolour. Signed (bottom left) Glazed, period Gilt-wood and jesso frame.
9 x 12 ½” (25.9 x 31.7 cm.) Frame 13 x 16”

The timelessness of this Kentish Village scene almost confirms the belief held by some at that time that 'God is indeed an Englishman'.

Ref. 64 JS4 [PP](150) /EOL/ a.andv >VAL
Thomas Tayler Ireland Burnham

Thomas Tayler IRELAND
British
fl.1894-1921

Burnham Beeches

Watercolour, signed (Bottom Right) Ca.1910. Period giltwood and plaster frame
13 ½ x 20 ½" (34.3 x52.1 cm.) Frame 20 ¾ x 27 ½"

Ref. 81 JS5 (150)[PP] /SNN/ a.andv >DGNN


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SECTION 10

DESCRIPTION

PRICE CODE

Englehart cairo

Lt. Col. Evelyn L. ENGLEHEART
British
ƒl. 1906-1921

Cairo street scene with man on Camel and woman with ass.

Watercolours on paper. Signed (bottom Right) Matted, glazed gilt-wood frame
14 x 20 3/4" (35.6 x 52.7 cm.) Frame 21 1/4 x 28"

 Ref. 514 JR3(129)/RLN/ l.andv> VOL

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SECTION 11

DESCRIPTION

TT Irdeland Stream in Burnham beeches

Thomas Tayler IRELAND
British
fl.1894-1921

Stream amid the Burnham Beeches

Watercolour, signed (Bottom Right) Ca.1910. gilt liner,glazed,Period giltwood and plaster frame.
26 ½ x 20" Frame 34 x 27"

Ref. 544 GH8 (140)/ENN/ dd.andv > DANN  PRICE CODE E   SOLD

T. T.Ireland's name has become synonymous with the 600 acre Burnham Woods in Buckinghamshire, he painted its famous beeches in all seasons, here he has captured the ethereal light of autumn.

Stark view of Norwich

James STARK
British
1794 -1859

View near Norwich

Signed (Bottom Left) French lines and wash panel matt, glazed, gilt-wood and gesso frame.
6 ½ x 9 ¾" Frame 13 x 15 ½"

Ref. 545 GH18 (140)/DVL/ dd.andv > ENN  PRICE CODE B

As one of the 'Norwich School' of painters, Stark won £50 for one of his local views as far back as 1815 (a lot of money in those days). This fine view was possibly painted as one of his Scenery of the Rivers of Norfolk ca. 1827 -34 and depicts cattle watering by a river with a distant view of the city of Norwich with its cathedral spire in the back ground.

Simmons Turf Cart

Charles Eyers SIMMONS

British
1872 – 1955

Turf cart crossing a bridge

Signed (Bottom Right) gilt liner, glazed, period heavy gilt-wood and gesso frame.
10 ½ x 14 ½" Frame 14 ½ x 18 ½"

Ref. 543 GH17 (140)/DVL/ dd.andv > RLN  PRICE CODE B    SOLD

In this scene, the foliage surrounding the bridge and stream is used to good effect as is the limb-less trunk of an adjacent tree.

SECTION 11 a

DESCRIPTION

simonstownscene

Charles Eyers SIMMONS

British
1872 – 1955

European Town Scene

Signed (Bottom Right) gilt liner, glazed, period heavy gilt-wood frame.
14 ½ x 10 3/4" Frame 18 ½ x 14 ½"

Ref. 623 GH16 (140)/DLN/ r..ando >AOL  PRICE CODE B   
This is a charming, probably French, town scene probably painted in the late 1890's-1900 which would be in keeping as to the time he was courting his French born wife.  Alas, there are three blemish spots which diminishes the value of this work.

 

SECTION 12

DESCRIPTION

Artingstall Middletondale

William
 ARTINGSTALL
                           British                                            
ƒl. 1873-1905

Middletondale, Derbyshire.1903
       
Signed & Dated 1903 (Bottom Left) French lines & wash matt, glazed, gilt-wood frame.

12 x 17"(35 x 43.2cm.) Frame 26 ½ x 20 ¾"Ref. 556 GH36(140)/DAL/ dd.ands > EOL PRICE CODE C   SOLD
The subtle science of Fly-fishing is being taught by an elderly man to his grandson. The former leans on a dry-stone wall, on an idyllic day during the summer of 1903. As the lad fishes the brook below a stone low humped backed bridge, a woman, carrying a basket, wanders along the well-worn pathway in Derbyshire's, Middleton Dale, England.
Crouse Lake Margaree

Malcolm
 CROUSE
                           British                                            
   19th- 20th Cent

Loch Maree, Scotland.

Signed  (Bottom Left) French lines & wash matt, glazed, green & gilt-wood frame.

8 x 14 3/8"(20.3 x 36.5cm.) Frame 26 ½ x 20 ¾"
Ref. 558 GH38 (140)/VN/ dd.ands >ALN PRICE CODE B  SOLD
Depicted is Loch Maree in the Wester Ross N.W. Scottish Highlands. A croft hugs the glacial slope of the benign heather, furz, and mixed pine hardwood clad lakeside, now the Nature Conservancy's national reserve of Beinn Eighe. On the opposite side of the loch, the slope rises to the 3, 217 ft. wedge shaped grey blue Slioch mountain. In ancient times, the waters of the loch were thought to have curative effects, with being submerged in the water thought to be a cure for lunacy.
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SECTION 13

DESCRIPTION

Way C.J. Beech Woods

       

Charles Jones WAY
     R.C.A.
British/Canadian
1834-1919

In the Beech Woods.

Signed (Bottom) gilt fillett & Acid Free matt, glazed, gilt-wood & gesso frame.
14 ½ x 10 3/8" (17.8 x 27.5 cm.) Frame 22 ½ x 18 ½”Ref. 566 GH52 (140)/ALN/ dd.ands >GLN  
Price Code C   
Almost overawed by a giant beech tree, below which a woman collects faggots near a forest bothy. A most interesting composition, with good foliage detail, from the hand of a master. He was an influential member of the new movement on Canadian painting.
Warren E

Emily Mary Bibbens
WARREN
F.R.S.B.A.
 British /Canadian
1869-1956

Nelson's Column, London

Signed (Bottom Right) gilt liner, glazed, period mahogany-wood frame.


9 ¾ x 7"(24.5 x17.8 cm.) Frame 15 x 12 ¼"
Ref. 550 GH20 (140)/DVL/ dd.andv > LLN 
Price Code C    SOLD
Emily Warren's expertise as a fine atmospheric landscape artist comes to the fore in this fine watercolour as does her expertise in capturing the architectural details of one of London's most iconic memorials. Seen here in the evening light is Baily's statue of Nelson atop his granite column by William Railton (1840) and surrounded by Sir Edwin Landseer's lions. The view is across the 1829 square at evening rush hour,
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SECTION 14

DESCRIPTION

Dudley T.

    Thomas ‘Tom’
DUDLEY
                        British                                            
1857-1935

       In Borrowdale, Cumberland.1882
             
Signed & Dated (Bottom Middle) Triple matted, glazed, gilt-wood frame.

16 x 11½ " Frame 26 ½ x 20 ¾"
Ref. 555 GH4[0](140)/ANN/ dd.ands > EOL      Price Code C  
A one-horse cart plies a rough track, (the only through road) around a rock outcrop at the tree-clad entrance to Borrowdale, near Derwentwater, in the Lake District of Cumberland, England. High to the right is seen towering Jack’s Crag (1860), later known as Great Crag. Borrowdale Beck runs to the right of the track. The location is as beautiful (and almost as tranquil amid the bird song) as it was in 1882 when Dudley painted this scene.
Trick Dartmoor Tor

Edward William
 TRICK
  British
1902-1991

Dartmoor Landscape with Tor.

Signed (Bottom Right) Gilt Liner with plaque, glazed, period deep gilt-wood frame.

7 1/8 x 9 ¼ " (18.1 x 23.5 cm.) Frame 11 ½ x 13 ¾”
Ref. 564 GH50 (140)/DNN/ dd.ands >ANN    Price Code B   SOLD
The location is almost certainly Dartmoor, along the banks of the Walkham stream, near one of the many Tors (natural rock formations) that distinguish this favourite artist's location, that he and Shapland painted together.
Tucker Chester

Arthur TUCKER
     RBA.
    British
     1864-1929

          Eastgate, Chester.

Signed (Bottom Left) Titled gilt matt, glazed, period gilt-wood & gesso frame.

7 x 10 ¾" (17.8 x 27.5 cm.) Frame 14 ½ x 18 ½”
Ref. 565 GH51 (140)/ALN/ dd.ands >LNN  PRICE CODE  C 
This is a fine architectural perspective view of East gate Chester with good detail, amid the light and shadow of the buildings of the street, which is peopled with those going about their daily business. The 1897 Queen Victoria Diamond Jubilee Clock by Edward Evans Lloyd is much in evidence then as today. For those interested in period architecture this is a good buy.

SECTION 15

       DESCRIPTION

Howard Squire

Squire G. HOWARD
British
1859-1929

Off the Scottish Coast.

Signed & Dated 1908 (Bottom Right) French lines and wash panel matted, glazed, gilt-wood frame.  

6 5/8 x 14" (16.8 x 35.6 cm.) Frame 13 ¼ x 21 ¼ ”
Ref. 560 GH45 (140)/SL/ dd.ands >ANN  PRICE CODE B   SOLD
Three diminutive Highland cattle graze at the water’s edge of the Scottish coast, inshore sailboats are seen plying the coastal bays.
Mottram C. Sim
Charles Sim MOTTRAM
  R.B.A.
  British
  1807-1919

Cornish Coastal Landscape.

Signed (Bottom Right) Gilt Liner with plaque, glazed, period deep veneer & gilt-wood frame.

8 x 11 ¼ " (20.3 x 28.6 cm.) Frame 12 ¾ x 16”
Ref. 563 GH48 (140)/DVL/ dd.ands > GLN  PRICE CODE C    SOLD
One can almost taste the tang of sea-salt, and smell the ozone off the sea, as birds wheel in flocks off the precipitous Cornish coast. In the foreground, fishermen toil to launch rowing boats through the rolling surf as a young lad looks on. This is a quite splendid atmospheric watercolour, almost impressionistic in its execution.
Callow W. Attributed to Cafe

     Attributed to William CALLOW
                        OWS. RWS.
                         British
                      1812-1908

Magasin de Vins Reyzac

Unsigned, watercolours and whitening on paper. French lines and wash double matt, glazed Gilt-wood frame.

9 1/8 x 10 ½" (23.2 x 26.7 cm.) Frame 18 x 20 ¼"
Ref.557 GH37(140)/DNN/ dd.ands >LLN  PRICE CODE C  SOLD
This unsigned work was attributed to William Callow by Sotheby Parke Bernet, Toronto in April 1980. The influence of T.S. Boys technique may be seen in this painting of the Magasin de vins Reyzac, a local Paris wine shop, still located at 3 Avenue Gambetta îsle- de- France.

SECTION 16

       DESCRIPTION

Palmer RR Road to Keith

Robert Rutherford PALMER
  RWS.
 British
ca. 1886 - ca. 1963

The Road to Keith, Parkmore, Scotland. 1944

Signed & Dated (Bottom Right) 1944 Titled (Bottom Left) Watercolours on paper. French lines and wash panel, titled double matt, glazed, gilt-wood and gesso frame.

10 3/8 x 14 ¼" (26.3 x 36.2 cm.) Frame 19 ¾ x 23"
Ref. 569 CFP 2 (164) /RNN/d.ands>VNN    PRICE CODE C     SOLD

The painting was exhibited in the Royal Academy, London Spring exhibition of 1946 (Exhibition label still affixed to verso).

The location near today’s Parkmore Farm, then nearby the old Parkmore distillery, which was established in 1894. Later sold to the Highland Distillery Co. which was closed in 1988 and subsequently became part of Wm. Grant & Sons.
Palmer RR Oak Trees

Robert Rutherford PALMER
  RWS.
 British
ca. 1886 - ca. 1963

Oak Trees in Summer

Signed (Bottom Right). Watercolours on paper. gilt liner, glazed, gilt-wood and gesso frame.

9 ¾  x 6 7/8  " (24.7 x 17.5 cm.) Frame 16 x 13"
Ref. 571 CFP 4 (164) /VL /d.ands>DRL    PRICE CODE A

 

Palmer RR Nelson's Column

  Robert Rutherford PALMER
  RWS.
 British
ca. 1886 - ca. 1963

The Hub of the Empire

Signed (Bottom Left). Watercolours on paper. matted, glazed, black-wood frame.

9 5/8 x 6 5/8  " (24.5 x 16.8 cm.) Frame 14 ½  x 10 1/2 "
Ref. 572 CFP 5 (164) /GL /d.ands>DRL    PRICE CODE A

An evening view of Trafalgar Square, London with Baily's statue of Nelson atop his granite column by William Railton (1840) and surrounded by Sir Edwin Landseer's lions.

SECTION 17

DESCRIPTION

HillierLomond

Henry Hillingford HILLIER      
1858 – 1930

Loch Lomond
Signed (Bottom Right) gilt liner, glazed, period decorative gilt-wood and gesso frame.
14 ½ x 21 ½" Frame 22 ½ x 29 ½"
Ref. 627. GH23 (140)/DVL/ dd. ando>ONN   PRICE CODE D

This is one of the better examples of Hillier’s landscapes, displaying much impressionist influence especially in the treatment of the mist rolling off the hills. This painting is enlivened not just by the depiction of watering cattle, but by the inclusion of the softly lit young woman and her dog as they walk along the lough side path.
Kinnard HJthames nr Wallingford

Henry John KINNAIRD
British,
1861 -1929
The Thames near Wallingford

Watercolours on Paper Signed (bottom left ) and titled (bottom right) glazed, period gilt-wood and plaster frame.
13 ¾ x 20" ( 39.9 x 50.8 cm.) Frame 24 ¾  x 32 ¼

Ref. 636 GH121(140)/DLN/ dd.ando>OLN  PRICE CODE D

Typical of the pleasing pastoral landscape that made Kinnaird's reputation, with cattle watering at the river's edge of the Thames, near Wallingford. A man is about to pole his punt across to meet the cattleman at the rail fence bridge.  Amid the treed background are seen thatched cottages and the village church.
Medlycott HJ

Attributed to
Sir Hubert James
MEDLYCOTT
British
1841-1920

From Pt. Levis Que. 1883

 11 ½ x 17 ¾  "  (29.2 x 45.1 cm.)   matted, glazed, Birds-eye maple frame..20 ½  x 27 ¾ "
Ref. 638 GH123 (140) DNN/ dd.ando > LLN  PRICE CODE  C

Half shrouded in the fog lifting from the St, Lawrence the ferry and other vessels are seen off the buildings of Pt Lévis, Capturing the ethereal quality of light was a hallmark of Medlycott’s work. We believe this to be the work of Hubert James Medlycott.

SECTION 18

       DESCRIPTION

Trick NstCwith sheep

 Edward Wiliam TRICK
British 1902-1991

Newton St. Cyres, Devon.

Signed (Bottom left) 11 ¼ x 15 3/8" (28.6 x 39.1 cm.)  Glazed, gilt liner Frame 16 ½ x 20 ½"

Ref. 632 GH33 (140)/ DAL/dd.ando>GNN     PRICE CODE C SOLD

In this image, a mother and small child stop their housework to watch a shepherd drive his sheep along a village street.  The village is located between Crediton and Exeter.
Stannard children

Sylvester John Henry STANNARD
RBA.  FRSA
British
1870-1951
Children picking berries in a rural landscape

Signed (Bottom Left) 14 x 10 ¼” (35.5 x 27.3 cm.) glazed, Frame  20 x 16" 
Ref. 631 GH32(140)/RLN/ dd.ando>DRLN   PRICE CODE E  SOLD

A very fine small vertical watercolour by this noted British artist depicts a delightful scene of three children in a rural landscape, as an older sister assists her siblings in the time honoured summer tradition of picking berries. In the background a thatched cottage commands a fine view o'er the vale.
Sweet BathAbbey

   Walter Henry SWEET
1889 – 1943

Bath Abbey, Somerset

Signed (Bottom Right) gilt liner, glazed, period heavy gilt-wood and gesso frame.
19 ½ x 15 ½" Frame 26 ½ x 20 ½"
Ref. 626. GH15 (140)/DOL/ dd. ando>GOL   PRICE CODE C   SOLD

The Abbey has been skillfully and sensitively rendered and lit in this fine example of Sweet’s work. The structure is one of the largest examples of Perpendicular Gothic Architecture in the West Country.
Bath Abbey has more Tablets and memorials plaques than any other church in England (615 +) excluding Westminster Abbey.
The west front is notable for its sculptures of angels climbing to heaven on two stone ladders, representing Jacob’s Ladder.

SECTION 19

       DESCRIPTION

ShaplandMenagio

John SHAPLAND
British 1865-1929

Near Menaggo, [sic.] Lake Como 

Signed (Bottom Right) 10 ¾ x 15 ¾" (27.3 x 40 cm.)  glazed. Frame 16 x 20”
Ref. 630 GH31(140)/ RNN/dd.ando>GNN    PRICE CODE C

The picturesque village of Menaggio located on the western shore of Lake Como, at the mouth of the river Senagra, has changed little since this watercolour was painted. Typical of Shapland's loose continental style, Blossoms adorn the foreground terrace. Set into its period ornamental gilt-wood and gesso frame.
Ramos Pheasant shooting

L. RAMOS
British
20th. Century
Pheasant Shooting

Watercolours on paper, signed below mount. Glazed gilt-wood frame.
11 3/8 x 15 5/8" (28.9 x 39.7 cm) Frame: 16 1/2 x 21 1/2"
Ref. 650 RI 610/DVL/ o.anan >RVL PRICE CODE B

A pair of sportsmen and their dog take aim at a pheasant over a treed fall landscape, with a split cedar rail fence in the foreground. This 1955 painting was accepted for exhibition in the 1956 Spring exhibition at London's Royal Academy.

SECTION 20

       DESCRIPTION

Liddell St James' sSt

William Frederick LIDDELL
British
ƒl 1900-Ca. 1927

St James’s London 1926

Watercolours on paper.  Signed & dated 1926 (on verso), glazed gilt-wood frame.
11 ¾ x 16 ¾” (29.8 x 42.5 cm.)    Frame 18 ¾ x 23"
Ref. 637 GH122 (140)/DNN/ dd.ando>DVLN  PRICE CODE  F  SOLD

Looking North East along St James’s Street with its then statue of King Edward VII ?. A wonderfully evocative London Street scene depicting a much admired area of London, as it was at the beginning of the age of automobile and before the statues were moved. A most beautifully detailed watercolour with pedestrians supporting the fashions of the era.
duntrune Castle

Monogram H.S. ?
British 19th Cent.

View of Duntrune castle Lock [sic] Loch Crena, Argyleshire [sic] 1866

Image:11 1/2 x 16 1/2 ( 29.2 x 41.9 cm.)  double mated glazed gilt-wood frame 19 1/2 x 24 1/2"

Ref. 648 SF4 (187) /ANN /r.anan>EVN    PRICE CODE C

This 1866 watercolour by the unidentifiable artist H.S. would appear to be based on the aquatint Duntrune Castle,  Loch Crenan  (Crinan) Argyllshire, Scotland, that was published in William Daniel A Voyage round Great Britain  1814-25.
HS. Winter Scene

Monogram H.S. ?
British 19th Cent.

A Study - Winter scene in England 1865

11 7/8 x 17 3/4 (30.2 x 45.1 cm.)   double mated glazed gilt-wood frame 19 1/2 x 24 1/2"
649 SF5 (187) /ann/r.anan>EVN  PRICE CODE C

This 1865 watercolour study by the unidentifiable artist H.S. depicts a rural cottage amid a snow covered treed landscape, with sheep in the background, ducks pause by a frozen pond and four figures and their dog collect firewood branches from a felled tree.

 

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