Pierre-Joseph Redoute

Published in Pierre-Joseph Redouté's Les Roses, Paris 1817 - 1824. A PLATE FROM ONE OF THE FINEST FLOWER BOOKS EVER PRINTED. Beautifully framed. More.

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British Paintings in oil

Pierre-Joseph Redouté

Les Roses
  1817-24 

Les
Liliacées 1802-16

Pierre-Joseph Redouté (1759 - 1841) came to begin his masterpiece by way of draftsman in the Queen's Cabinet of Marie Antoinette and official flower painter to the Musée d'Histoire Naturelle (a position which helped him to survive the French Revolution), More.

Rosa Pimpinelli Folia Pumila, Petit Rosier Pimprinelle

A ROSE FIT FOR AN EMPRESS:
Rosa Pimpinelli Folia Pumila, Petit Rosier Pimprinelle

A splendid example from Redouté's immensely important botanical work Les Roses engraved by the à la poupée colour stipple method by Chapuy and superbly printed by N. Rémond after one of the original 169 paintings of roses in the gardens of the Empress Josephine at Malmaison outside Paris. Published in Pierre-Joseph Redouté Les Roses, Paris 1817 - 1824. A PLATE FROM ONE OF THE FINEST FLOWER BOOKS EVER PRINTED. Beautifully framed.Hand-ragged with French lines and panel, Museum quality matts, filet, glazed, Giltwood frame.
13 ¼" x 9 7/8" (33.6 cm x 55.1 cm) Frame 24 ½" x 20 ½"

ref. AG 48/OSE.en/da.annr>DAVL
PRICE CODE E   SOLD  Click Here for Pricing Details

Pierre-Joseph Redouté (1759 - 1841) ) is oft referred to as the 'Raphael of flowers', He is undoubtedly one of history's most famous botanical artist, certainly the foremost Botanical illustrator of the 'Age of Reason '(Late 18th - early 19th cent.) many say of any age.  Royal Flower painter to Marie Antoinette and court painter to the Empreess Josephine & later to Louis - Phillippe.

As drawing master to Marie Antoinette he had access to the Jardin du Roi, and through his friendship with the botanist Charles Louis L'Héritier and flower painter Gérard van Spaenndonck the 'vélins du Roi '   - the vast French collection of natural history paintings on vellum begun in the 17th. Cent. from which Redouté learnt new ways and techniques to depict flowers. (Redouté eventually contributed over 500 flower paintings of his own to the collection). 

His brilliance and skill was recognized and saved him from the turmoil of the French Revoloution. He enjoyed a unique position of favour both before and after the Revolution with both aristocrats and peasants alike. He was appointed draftsman in the Queen's Cabinet of Marie Antoinette which led to the position of official flower painter at the Museé D' Histoire Naturelle, in turn, leading to his appointment as flower painter to the Empress Josephine at a salary of 18,000 francs (about $50,000 today). He later became a founder of the French Academy of Natural Sciences.  

But it was under Josephine's patronage  that his career really flourished, for it was she who commissioned  him to paint the roses at the world's mast beautiful rose garden - Malmaison,   from his paintings  the images of Les Roses were published. The publication of Les Roses was a costly venture at 750 francs each (approx. the value of this single image today).

His matchless artistry was also admired by Audubon, who made a special trip to Redouté's studio in Paris to exchange work with him. A keen observer and teacher to the end, as he lay impoverished upon his death bead at the age of 82, a student placed a flower into his hand to study. He knew both great hardship and vast wealth during his interesting life, but he has left he world an incalculable legacy through the richness of his botanical images and particularly Les Roses & Les Liliacées.

Redouté also painted the flowers at some of Paris's  other famous flower gardens, including his own at Flury-sous-Meudon. and those images inspired the publication of Les Liliacées. In all he contributed to some 28 important botanical works. During his life he knew both hardship and fame. A wealthy but extravagant man, it was the latter that saw him in debt at the time of his death. Nevertheless, the world is an incalculably richer place for his genius.


RETURN TO BOTANICALS CATALOGUE

 

PLATES FROM Pierre-Joseph Redouté's Les Liliacées Paris 1802-16.

Les Liliacées was Redouté's  largest and most ambitious work  published in Paris 1802-16 in eighty instalments forming an edition of only 200 copies. The flowers illustrated from the family Liliaceæ and Petaloid momocotyledons, their reproduction produced a work that is unsurpassed  in the history of botanical illustration. The method being 'á la poupee´ a painstaking process, which required 18 engravers. No expense was spared  in ensuring  the quality of the reproductions and the result is Redouté's masterpiece.

 In 1985 the watercolours for Les Liliacées fetched five and a half million dollars US.

Plates from Les Liliacées 1802-16


Redoute Les lilliace Chive

Plate 214 Allium Foliosum Ail Feuillé [Chive]  á la poupeé engraved by Langlois after P.-J. Redouté.
Handsomely double matted to museum standard with fillet and pale green hand dappled French lines and wash panel by master framer Edward Hayes, glazed, reverse slope gilt-wood frame. 
Image:19 5/8 x 12 1/4" approx inc. letters (49.8 x 31.1 cm)   Frame:30 5/8  x 23 5/8"

Ref. MZ10 (160)/DANN/o.andv> ALNN       PRICE CODE G

 

Redoute Witch's Garlic

Plate 368 Allium Carinatum  Ail en carène   [Witch’s Garlic] á la poupeé engraved by Chapuy after P.-J. Redouté.
Some browning, Handsomely double matted to museum standard with fillet and pale green hand dappled French lines and wash panel by master framer Edward Hayes,glazed, reverse slope gilt-wood frame. 
Image:19 1/2 x 12 1/4" approx inc. letters (49.5 x 31.1 cm)   Frame:30 5/8  x 23 5/8"

Ref. MZ11 (160) /DANN/o.andv> ALNN       PRICE CODE G

Redoute Solomom'sSeal

Plate 258 Polygonatum vulgare    Polygonatum sceau de Salomaon   [Solomon's seal]  á la poupeé engraved by Bessin after P.-J. Redouté.
with original text on separate sheet.
Image: 20 3/4 x 13 3/4" plate size (52.7 x 34.9 cm)  
Ref.LRA -/-/a.annr> DGLN       PRICE CODE E

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